It’s pretty unusual for a 32-year-old chef to open his own restaurant in Manhattan. For The New York Times to choose it as the best restaurant in the city five months after it opens? Well, that’s kind of crazy.
But then, Chef Kwame Onwuachi’s rise to superstar chefdom has been a little crazy. Drugs and gangs were part of a tough upbringing in the South Bronx. After getting kicked out of college, he moved to Louisiana and cooked for a crew cleaning up the Deepwater Horizon oil spill. He’d found his calling. Back in New York, he enrolled in culinary school and thrived, graduating straight into a job at the Michelin-starred Eleven Madison Park.
Kwame’s big break came in 2013, when he competed on Top Chef and won the hearts of the television audience, the media and backers who helped him open his first restaurant, the Shaw Bijou, in Washington, D.C. He was 27. His vision was radical: an elevated, high-end tasting menu of the cuisines that shape his identity and his roots in Nigeria, the bayou and the Bronx. The economic model didn’t work and the restaurant closed after only 11 weeks, but he brought the same inspiration to his next gig, a restaurant he named Kith and Kin. There, his execution of an autobiographical Afro-Caribbean menu was rewarded with the James Beard Rising Star Chef of the Year award.
When Lincoln Center invited Kwame to open his own restaurant last year in the newly renovated David Geffen Hall, his expression was given free rein. Tatiana is named after Kwame’s big sister, who looked after him at home in the Bronx while their mother was at work. The restaurant’s cuisine honors family and legacy, with dishes that celebrate his ancestors and resurrect the histories of the Black and brown communities displaced in the 1950s when the construction of Lincoln Center razed the neighborhood known as San Juan Hill. It’s joyful food, infused with memories of home, a generous dash of love, and the soul of a young chef out to change the world, one dish at a time.
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Elizabeth Eden Harris, known professionally as Cupcakke, is an American rapper from Chicago, Illinois. She is known for her hypersexualised, brazen, and often comical persona
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Elizabeth Eden Harris, known professionally as Cupcakke, is an American rapper from Chicago, Illinois. She is known for her hypersexualised, brazen, and often comical persona and music although she has also made songs with themes supporting LGBTQ rights, female empowerment, and autism awareness.
Acclaimed GRAMMY-winning multi-instrumentalist, singer, and songwriter Meshell Ndegeocello makes her Blue Note Records debut with the June 16 release of The Omnichord Real Book, a visionary
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Acclaimed GRAMMY-winning multi-instrumentalist, singer, and songwriter Meshell Ndegeocello makes her Blue Note Records debut with the June 16 release of The Omnichord Real Book, a visionary and deeply jazz-influenced album that marks the start of a new chapter in her trailblazing career. Following her 2018 covers album Ventriloquism, Meshell returns with an album of new original material that taps into a broad spectrum of her musical roots. The Omnichord Real Book was produced by Josh Johnson and features a wide range of guest artists including Jason Moran, Ambrose Akinmusire, Joel Ross, Jeff Parker, Brandee Younger, Julius Rodriguez, Mark Guiliana, Cory Henry, Joan As Police Woman, Thandiswa, and others.
The Omnichord Real Book is introduced today by the expansive lead single “Virgo,” the mind-altering 8-minute centerpiece of the album which features Meshell on vocals, key bass, and keyboards, Younger on harp, Rodriguez on Farfisa organ, Chris Bruce on guitar, Jebin Bruni on keyboards, drums by Abe Rounds, Deantoni Parks, and Andrya Ambro, and additional vocals by Kenita Miller and Marsha DeBoe. The Omnichord Real Book is available for pre-order now on Blue Note Store exclusive color vinyl, black vinyl, CD, and digital.
“It’s a little bit of all of me, my travels, my life,” says Meshell. “My first record I made at 22, and it’s over 30 years from then, so I have a lot of stored information to share.” Reflecting on the impact that the forced stillness of the pandemic lockdown had on her, she says “I must admit it was a beautiful time for me. I got to really sit and reacquaint myself with music. Music is a gift.”
“This album is about the way we see old things in new ways,” Meshell explains. “Everything moved so quickly when my parents died. Changed my view of everything and myself in the blink of an eye. As I sifted through the remains of their life together, I found my first Real Book, the one my father gave me. I took their records, the ones I grew up hearing, learning, remembering. My mother gifted me with her ache, I carry the melancholy that defined her experience and, in turn, my experience of this thing called life calls me to disappear into my imagination and to hear the music.”