Paving the way: Milwaukee filmmakers creating stories and opportunities FOR Black creatives

Milwaukee has a buzzing creative scene full of musicians, painters, chefs and filmmakers. When these artists are trying to get projects off the ground, it can sometimes be difficult to find the right team and funding – especially in the local film industry.

Director/Producer KayCee Kelsey and filmmaker Justin Goodrum took on the challenges by following their passions and creating stories that spoke directly to them and their relation to the Cream City.

Films like “Love & Basketball” and “Dreamgirls” inspired Kelsey to write the successful web series “Rise to Fall”. The drama follows the story of an artist who lied and stole her ex-lover’s music to jumpstart her rap career. Season 2 is expected to be released this fall. Kelsey will also be recognized at the MKE Short Film Fest in September for directing the documentary, “The Kingdom Call” — about Pastor John W. McVicker and his wife Marilynn establishing Christ the King Baptist Church in Milwaukee. 

Goodrum, a 2024 Mildred L. Harpole Artist of the Year, aims to produce work that is socially relevant and transformative. Beginning with an internship at 371 Productions, his first film opportunity was documentary-style. Since then, he has created projects like “The Stigma of the Durag” and pieces on mental health topics in underrepresented communities. He now owns his multi-media production company, Good Entertainment, and is currently working on a full-length film, “Christopher.” 

What inspired your journey to filmmaking? 

K.K.: I’ve been captivated by visual storytelling since childhood. Even as a young girl, I never watched a film like a typical viewer; I always analyzed every detail. The concept of transforming words on paper into on-screen stories has always fascinated me. I love the idea of turning fiction into relatable, inspiring narratives that resonate with people. I’ve always had vivid dreams, and when I shared this with my aunt, she suggested that I write them down. She also took me to see plays and films almost every weekend. I believe that combination of experiences sparked my journey into filmmaking.

J.G.: My journey to filmmaking began when I was about nine years old. My mother took me to see the 1999 version of “The Mummy“ and I was completely captivated by the entire experience. As the credits rolled, I knew with absolute certainty that I wanted to spend my life creating films that could evoke the same sense of wonder and excitement. From that moment on, I was determined to pursue a career in filmmaking and bring my own stories to life on the big screen.

Describe your connection to Milwaukee.

K.K.: I am a proud Milwaukee native, born and raised. My connection to Milwaukee is profound. I set most of my stories here because it truly is the heartland, a beautiful city with so much promise. I feel a deep sense of responsibility to share stories about my city because we have narratives that deserve to be heard. Milwaukee’s potential is limitless, and it’s steadily rising with immense talent. I am committed to showcasing its greatness in the best way possible. 

J.G.: Being born and raised in Milwaukee, my connection to this city runs deep. From the MPS beat and being in traffic to Tasty Twist and Jam for Peace. Milwaukee has provided the backdrop for my life. It has offered both challenges and inspirations that drive me and my work. Here, I’ve learned the power of storytelling and embraced the responsibility of using my voice to make a difference.

Give us some lessons learned while pursuing filmmaking as a Black creative.

K.K.: One of the biggest lessons I’ve learned as a Black creative is that you can’t make everyone happy. Some people will love your work, and others will hate it. It is what it is. Some might get upset with you because you don’t easily get taken advantage of or back down from your beliefs. I’ve had to adapt to the reality that, at times, I will be the only Black voice in the room or on set, sometimes also the only female voice. Working in a predominantly white, male-dominated industry can be intimidating, but I’ve learned that, regardless of the circumstances, I need to be a voice for myself and others. And making sure that I’m creating space for Black creators ensures our perspectives are heard. 

J.G.: One of the most critical lessons I’ve learned in my filmmaking journey is the importance of embracing one’s unique perspective. Just because someone might not initially understand your vision doesn’t mean it’s a bad idea or film. In fact, it’s often those distinctive, unconventional viewpoints that lead the most compelling and thought-provoking work. I’ve come to realize that staying true to my voice and perspective can result in stories that resonate deeply with people and provide a meaningful discussion.

Talk about the process of filmmaking — securing funding, actors, etc.

K.K.: The process of filmmaking can be lengthy, especially for an independent filmmaker or someone just starting their journey. The more people involved, the better, as roles like producer, assistant director, and casting director are crucial in the pre-production stages. Once these roles are solidified, you can begin planning. Securing funding is a significant part of the process and is a constant effort, particularly for independent filmmakers because we are always seeking ways to recoup our investments. Next comes finding funding, the auditioning process, crew calls, scheduling, and location scouting. Contracts need to be developed and signed and so much more. Once all roles are casted and the crew is assembled, production can begin. After the production phase, the focus shifts to post-production, which involves editing and putting everything together. And it doesn’t stop there because once it’s done you have to promote. So, all of this can take months, or years even, depending on what you’re creating. 

J.G.: As an emerging filmmaker, my process is continuously evolving as I learn and expand my network. I typically begin with subjects that interest me, providing a deeper perspective on them, or draw from real life events that seem cinematic. This initial spark starts with an idea. If I’m not collaborating with a writer, I proceed to outline and build the story myself. Once I feel confident in the narrative, I seek out fundraising opportunities that align with my project’s mission. This evolving approach allows me to stay flexible and innovative in my work.

How are you giving back or providing support for filmmakers like yourself?

K.K.: My set is very open and inviting. Anyone who wants the experience is welcome to join. I’m dedicated to providing opportunities and encouraging collaboration with creatives even from other fields, like dance, music, and fashion design. If I can include you somehow in my movie, I will, especially if you’re local. Beyond my own projects, I’m always willing to help others with theirs on their set and that could be behind the scenes or acting in front of the camera. I regularly promote the work of other local creatives, attending events,

sharing their projects, and accomplishments on social platforms. Collaboration is everything to me because you can’t do it alone so I try to support other filmmakers as much as possible. I love seeing anyone from Milwaukee winning! 

J.G.: I’ve had the privilege of working with Black Arts MKE over several summers, teaching the youth the fundamentals of filmmaking and helping them bring their short films to life. Currently, I am also collaborating with MKE REC, offering guidance and support to emerging filmmakers. By sharing my experiences, and knowledge, I assist youth in completing their projects and achieving their creative goals. Additionally, I serve on the board of The Untitled Film Society, an organization dedicated to creating a sustainable filmmaking community by providing resources, support, guidance to filmmakers and film enthusiasts of all skill levels. I have taught at their summer programming, offering students hands-on training, the craft of filmmaking and digital media production. As well as collaborating with them on networking events, creating opportunities for filmmakers to connect, collaborate, and build supportive relationships.

What are your ultimate career/creative goals?

K.K.: My ultimate career goal is to establish a production studio that provides opportunities for creatives like myself. I don’t necessarily care for being famous but I would at least like to make a significant name for myself as a filmmaker and actor. My biggest goal is to create stories that not only entertain but also inspire and last for generations. But ultimately, I just want to be successful in film – whatever that may look like for me. 

J.G.: My goal is to impact the world through film. I envision a future where my voice and storytelling resonate on a global scale, bringing to the forefront the untold stories and perspectives of my community. I’m working towards gaining enough resources and partnerships with local and national brands to continue to produce films in Milwaukee that inspire, provoke thought, and spark conversations about important issues. Bringing equity back into the community that I was born and raised in.